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"Song - SPP at Play Start only" mode sends an SPP command only when you begin initial playback.Īfter you set the MIDI Clock mode, you can choose where in your Logic song you want MIDI clock output to start."Song - SPP at Play Start and Cycle Jump" mode sends an SPP command when you start playback and every time Cycle mode repeats.
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There is one virtual MIDI output for each channel and all commands are priority-merged with the accurate clock. This enables you to send any MIDI commands from a DAW to your connected slaves while syncing to audio clock. "Song - SPP at Play Start and Stop/SPP/Continue at Cycle Jump" mode sends a start command to an external device when you start playback from the beginning of your Logic song. If you don't start playback from the beginning, a Song Position Pointer (SPP) command and then a Continue command are sent to start playback on the external device. The multiclock can be its own master or synced to external MIDI, DIN sync or Analogue master clocks. If you want, you can have your multiclock with an extra class-compliant USB Midi Add-On.Make sure to enter the number of bars in the pattern in the "Clock Start: with a pattern length of Bar(s)" field, under the MIDI Clock mode pop-up. "Pattern" mode sends a Start command to an external device like a sequencer to start playback of a pattern on the device.Choose a mode from the Clock Mode pop-up menu that works best for your workflow and the MIDI devices you’re using: Synchronisation of the multiclock to a DAW relies on a sample accurate audio clock stream, which guarantees tight clock signals with ☑ sample of jitter. The MIDI clock mode determines how and when Logic sends MIDI clock to your destinations. The Multiclock lets you sync all types of clocks analog, DIN, MIDI, audio, DAW across four channels, and gives you per-channel control over clock timing and swing. After you add destinations and set options, set the MIDI clock mode for your project.